1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).   Related Paintings of Francisco Goya :. | Highwaymen Attacking a Coach | The Duchess of Alba arranging her Hair | Little Giants | Portrait of Josefa Bayeu | The Family of the Infante Don luis |
Related Artists:
Theobald Chartran
French Academic Painter, 1849-1907, He was a classical French academic painter. As 'T', he was one of the artists responsible for occasional caricatures of Vanity Fair magazine, specializing in French and Italian subjects. His work for Vanity Fair included Pope Leo XIII, Giuseppe Garibaldi, Umberto I of Italy, William Henry Waddington, all in 1878, Charles Gounod, Giuseppe Verdi, Ernest Renan, Jules Grevy, Napoleon Joseph Charles Paul Bonaparte, Victor Hugo, Marshal MacMahon, Granier de Cassagnac, Louis Blanc, and Alexandre Dumas, Fils, all in 1879.
Gideon Jacques Denny
(1830-1886) was a marine artist who was born in Wilmington, Delaware on July 15, 1830. As a young man, he worked on ships in the Chesapeake Bay. He traveled to California in 1849 with the Gold Rush. He worked as a teamster on the San Francisco docks and was a member of the San Francisco Committee of Vigilance. After two years in California, he moved to Milwaukee, where he studied painting with Samuel Marsden Brookes. After six years of study in Milwaukee, Denny returned to San Francisco and established a studio on Bush Street. In 1862, Brooks moved to San Francisco and shared a studio with Denny. In 1868, Denny spent two months in Hawaii visiting several islands. He is also known to have visited Canada and South America. Denny died of malaria in Cambria, California on Oct. 7, 1886. The Berkeley Art Museum and Pacific Film Archive, the Bishop Museum (Honolulu), the Crocker Art Museum (Sacramento, California), the Fine Arts Museums of San Francisco, Monterey Peninsula Museum of Art, and the Oakland Museum of California are among the public collections holding works by Gideon Jacques Denny.
Nikolai Roerich
Russian, 1874-1947 Russian painter, stage designer and founder of cultural institutions. The son of a lawyer of Scandinavian descent, he graduated from the studio of the landscape painter Arkhip Kuindzhi at the Academy of Fine Arts (1897) and from the faculty of law at the University of St Petersburg (1898). He then studied in Paris with the history painter Fernand Cormon (1900). Roerich had wide interests and made an important contribution to Russian culture: he lectured at the Institute of Archaeology (1898); he became secretary of the Society for the Encouragement of the Arts (1901) and director of its school (1906); and he was the first chairman of the World of Art (Rus. Mir Iskusstva) Society (1910). The first volume of his collected cultural writings was published in Moscow in 1914. As a painter he exhibited with the Academy from 1897, WORLD OF ART from 1902, the Vienna Secession c. 1905 and the Salon d'Automne in Paris in 1906. From c. 1903 he was a leading member of the artists' colony at TALASHKINO, where he designed mosaics, friezes, murals and furniture. As a stage designer in Russia, he worked between 1907 and 1915 for such directors as Nikolay Yevreinov (1879-1953),